The Audio Checklist by Freelance A1, Andrew Stoakley

Over the course of interviewing, recording and editing my podcast series, ‘Idle Hands: Conversations with Television Broadcast Mixers’, there were several trends that emerged over my twenty conversations, but the main one that was talked about the most was that audio people are creatures of habit.

Talking with all the amazing mixers, it is clear that audio people like structure and processes. Maybe it’s the way our brains are wired, maybe it’s how we view complex signal flow, or maybe, just maybe we’re a little bit anal-retentive. I am…guilty as charged!

2022 signaled the start of my 28th year in television and my 22nd year as a full-time audio mixer. A lot, and I mean a lot has changed in those twenty-two years.

What started out as a mono mixer was soon stereo, and then surround and now Atmos for those that are mixing in it, but I think the key thing in all the changes we’ve seen as audio professionals is that the more things change, the more we stay true to our quirks and habits.

I mentioned several times on the podcast that I have a checklist that I created when first starting out to keep me organized in case something happened and pulled me out of focus.

I’ve included this audio checklist with this article as I think it’s a great resource for when things get hectic.

Let’s talk about a few of the points I’ve included – and just for the record, I still use this checklist for all my events – especially if it’s a truck I’ve never worked on or have files. It keeps me focused.

Download Andrew's Audio Checklist

Layout console.  First things first – ya gotta know where to put things. In the lovely digital world we live in, anything and any source can go anywhere. I find putting tape on the desk and figuring out where to place things is key. I tend to put all my mics to the left of the centre and all my sources to the right. That includes any layering I might be using as well. The digital displays are great, but I need to see what I’ve put where without having to squint – even with glasses! I know some guys are mercilessly savage on social media with my Sharpies and tape (Hi Tweeter!) but if it keeps me organized on my desk, then I’m good with it!

I like to get my inputting, routing and tracking done ASAP. That way if for some reason we had an emergency hit or news breaks, we could do it live. I usually start with busses, then auxes and then groups. Multitrack have their own checklist, especially for events like Curling where I could be using 48-50 multitrack in total. At the same time as creating the guts of the desk, I’m also integrating the intercom for things like IFBs, Wohlers, four wires, etc. You can have the greatest mix in the world going, but if a Director, Producer or Talent can’t hear what they want to hear, well, we’ve all been there!

After all the nuts and bolts are done, I’ll hook up my DTs and get to patching in the racks. The amount of patching can be as little as 10 patch cords up to 100 or more depending on the age of the truck and what event I’m covering.

I know our legacy copper history in North America and especially Canada is strong, but more and more fibre is being used which is great. Hopefully, any new venues being built or upgraded will be fibre based as it is the future.

FACSing time with my A2s is key. I always like to meet with the gang before we start, just to make sure we are on the same page. Everyone has my paperwork for patching and drops and it helps to answer any questions they may have or issues that have come up. It’s especially important on shoots like Toronto Blue Jays Baseball where our truck might be in for 12 days or more. It’s easy to forget about the little daily checks and I find having a little chat helps keep us focused and sane! The MLB season can be loooong! My A2s are the most important part in getting to air. My shows would not be the same without them and I’m always grateful for their help and expertise.

Finally, the great author Douglas Adams wrote in his masterpiece, ‘The Hitchhiker’s Guide to the Galaxy’, the greatest two words put on paper; “DON’T PANIC!” One of my favourite books of all time, Adams references multiple times how complicated the machine is and in saying “don’t panic”, the phrase is meant to reassure those experiencing intergalactic travel that everything will be ok. Just like live audio, everything will be ok if you “don’t panic”.

For those just starting out in their audio journey, feel free to use this audio checklist – edit and modify it for your preferences. It has helped me and continues to help me stay focused and on the task at hand. For those experienced mixers, I’d love to hear more of your ways to keep track of the day-to-day ins and outs of broadcast mixing. I can always learn new things!

All about Andrew

Andrew Stoakley is a freelance-based A1 out of Ontario, Canada. He’s currently the Production Sound Mixer for The Toronto Blue Jays and Grand Slam of Curling on Sportsnet, but he really wants to mix Darts and Ping Pong!

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